Nour Festival – Arwa Abouon

Press Release

For immediate release

Birthmark Theory – prints by Arwa Abouon

Exhibition runs from 20th October – 14th November 2015

Admission free

londonprintstudio is delighted to present the work of Libyan / Canadian artist Arwa Abouon. Subtle and approachable, using historical traditions and idioms of her religious background to produce playful and questionable imagery, Birthmark Theory is Arwa Abouon’s first solo UK show. A narrative on identity, duality and spirituality is always present in her work, as are her family members. In return, the work challenges the observer’s pre-set conceptions of the taboos surrounding her identity as a woman and a Muslim. Presenting her work as diptychs, the images read together as one, a metaphor of being between two cultures and finding a balance where duality becomes a blessing, instead of a curse.

Curated by Najlaa Elageli, Noon Arts

In partnership with londonprintstudio

This exhibition is part of the Kensington and Chelsea Nour Festival of contemporary Middle Eastern and North African arts and culture.

About the Artist

Libyan / Canadian artist Arwa Abouon was born in Tripoli and emigrated with her family at the age of one. She studied art and photography at the Concordia University in Montréal. Arwa Abouon is represented by The Third Line, Dubai.

Exhibition programme:-

Launch party 22nd October 6.30 – 8.30 pm

‘Forgotten Chatter’ 29th October, 6.30 – 8.00pm

Talk by Najlaa Elageli, Curator and Director of Noon Arts; specialist and consultant in the art of Libyan women.

Artist’s Statement

‘My work results from dynamic interactions between personal reflections on human nature, to meet and see the world as it is, and the multiple perspectives of my own gaze. My works are usually photographic, but sometimes integrate video, design or additional installations.

The themes addressed in my works stem directly from my life experience as a female artist living and working between cultures, and yet the aim is to show how a single person’s ‘double vision’ can produce images that possess much wider social effects by collapsing racial, cultural and religious borders. In other words, the images, which are seemingly autobiographical in nature, move beyond mere autobiography.

I am also investigating mechanisms at play when learning and acquiring knowledge, and the different shapes that this knowledge takes on as it is transferred from one generation to another. Balancing playful humour, re-appropriation and respectful homage;  I always ask questions through images. The Islamic counterpart to these questions and cultural distinctions often make for interesting results as it leads to more discussions/contemplation about identity through faith.

My ultimate aim is to sculpt a finer appreciation of the Islamic culture by shifting the focus from political issues to a poetic celebration of the faith’s foundations. I hope my work is always visually intricate in the subtleties within its voice.’

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More information from Noon Arts:-

Press Release: Noon Arts announce the ‘Birthmark Theory’ Exhibition, a first

UK solo for the Libyan-Canadian visual artist Arwa Abouon, as she tackles the

subjects of identity, gender, humanity and spirituality from a Muslim-Western female perspective.

Partnering with the ‘Nour Festival of Arts’ 2015, Noon Arts are curating the artworks of Arwa Abouon to be shown at the London Print Studio. This exhibition will run alongside the wider festival that annually celebrates contemporary Middle Eastern and North African arts and culture and which takes place in venues across the Royal Borough of Kensington and Chelsea.

Birthmark Theory will be a retrospective exhibition for a London-based audience on Abouon’s work going back over ten years, highlighting some of her most iconic and award-winning pieces to date. The 33 year-old’s unique approach has always been to use the motifs and symbols from her Islamic background and to juxtapose them with her Western-Canadian credentials. She creates pieces that reflect on what defines identity when one belongs to two different cultures. At the same time, she subverts any prejudices that may be held by outsiders regarding the same.

Courageously employing herself and her family members as art models, her poetic diptychs and installations express and illustrate the possibilities of reconciling what might seem to be at odds influences, of a liberal versus conservative environment and also as to her being a woman. But in the process of introspection and the act of creation, she finds a happy individual medium to celebrate the colourful mix rather than this becoming a source of struggle or conflict.

Birthmark Theory will feature the ‘Mirror Mirror / Allah Allah’ diptych, where Abouon aises religious versus gender issues by using the Muslim veil as a symbol to question inner versus outer spirituality and where she concludes that the most important thing is to see herself through God, as one of his human creations. This won the second prize at the 26th annual Alexandra Biennale for Mediterranean Countries in 2014.

In the ‘I’m Sorry / I Forgive You’ diptych, Abouon uses an Islamic geometric design pattern as a background to the gentle act of contact between her parents, set in the private space of worship at home. The piece is to point out both the acts of love and compassion and wanting to elevate them as visual monuments in themselves.

Also on display will be the ‘Abouon Family’ picture, where each member is positioned to denote his or her role in the nuclear unit. Whilst the father stands tall protecting the siblings, it is the mother who gazes straight into the camera. Holding her prayer beads, she represents a ‘pillar of faith’ that for Abouon stands as a reference to the Koranic verse that “Paradise lays beneath the mother’s feet”.

Other works include ‘Celestial Sphere’, ‘Generation Series’ and ‘Pear Shape’. The latter is a digital print with mixed media concepts, photography and drawing to represent in a picture the direct interaction between the East and the West and how they impact on the artist’s experience. Done as a visual metaphor, one culture is carrying her forwards and the other one is anchoring her being.

The artist, Arwa Abouon, has provided this statement about her work:
“My work results from the dynamic interactions between personal reflections on human nature, an attempt to meet and see the world as it is, and the multiple perspectives of my own gaze. The attempts to visually translate these specific configurations of subject, time, and place are usually photographic, but also sometimes integrate video, design or additional installations.
“The themes addressed stem directly from my life experience as a female bicultural artist, and yet the aim is to show how a single person’s ‘double vision’ can produce images that possess much wider social and political effects by collapsing racial, cultural and religious borders. In other words, the images seemingly autobiographical in nature move beyond simple autobiography. Like the state of biculturalism itself, they unpack the categories of ‘East’ and ‘West,’ merging them and hence underscoring their similarities rather than differences.
“I am investigating mechanisms at play when learning and acquiring knowledge, and the different shapes that this knowledge takes on as it is transferred from one generation to another. Balancing playful humor, re-appropriation and respectful homage, I hope my work is always visually intricate in the subtleties within its voices.”
Abouon’s work has already been exhibited in Canada, the United States of America, Germany, Kuwait, the United Arab Emirates and Malta. Some of her pieces are also held in public collections, including: the Musée de L’Institut du Monde Arabe, Rose Issa Projects, the Stanly Mills Collection and The Third Line (Dubai). Birthmark Theory will be open to the public from 20 October -7 November at the London Print Studio. There will be a private viewing on 22 October and a curator talk on the 28 October. For the latter two events, RSVP to: najlaa@noon-arts.co.uk or n.al.ageli@gmail.com.

Notes to Editors:

Arwa Abouon is represented by The Third Line, Dubai, UAE

For more on Noon-Arts visit their website here

For more on London Print Studio visit our ‘about page’ here

For more on the Nour Festival visit the festival’s website here

For more on the artist visit Arwa’s website here

For more on Third Line Gallery visit here

For more information, images for press and potential interviews, contact:

n.al.ageli@gmail.com

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